
Review | April — Slow Georgian cinema at its most visionary
Dea Kulumbegashvili’s sophomore feature is a hypnotic but unflinching portrait of power, violence, pain and gender in rural Georgia.At the end of Dea Kulumbegashvili’s debut feature Beginning (2020), a man lies down on the parched earth and slowly disintegrates: ‘For dust you are, and to dust you shall return’. The beginning of Kulumbegashvili’s sophomore feature, April (2024) seems also to draw from Genesis with its amorphous humanoid figure which blindly flounders in a black abyss: ‘Now the e...